The 20 most played LOVE SONGS in 2021 by LOVE RADIO only love songs
Endless Love - Diana Ross & Lionel Richie (1981)
Producer Jon Peters and director Franco Zeffirelli asked Lionel Richie to compose an instrumental along the lines of the theme from “Love Story” for their movie starring Brooke Shields. When Zeffirelli changed his mind and asked Richie if he would add lyrics, the Motown star agreed to write some. Then Zeffirelli made one more request – to add a female singer, someone like Diana Ross.
I’ll Make Love to You - Boyz II Men (1994)
When the members of Boyz II Men first heard Babyface’s composition “I’ll Make Love to You,” they were concerned about recording a song that was too similar to their previous hit, “End of the Road.” Nathan Morris explains, “The record company talked us into doing it and thank God it worked.”
Best of My Love - The Emotions (1977)
When the Stax label folded, the three Hutchinson sisters had to find a new home. They were signed to a production company run by Maurice White of Earth, Wind & Fire. With group member Al McKay, White wrote this song specifically for them and the lead voice of Wanda Hutchinson.
My Love - Paul McCartney and Wings (1973)
McCartney wrote “My Love” about one of the members of his post-Beatles band, Wings. The inspiration for the sentimental ballad was Scarsdale, N.Y.-born Linda Louise Eastman, a professional photographer before she married McCartney on March 12, 1969.
Woman in Love - Barbra Streisand (1980)
Barry and Robin Gibb wrote the song for Streisand but the former told Billboard he gives the artist most of the credit. “At least 80 per cent of the success of the record belongs to her.”
How Deep Is Your Love - Bee Gees (1977)
Barry, Robin and Maurice Gibb hadn’t seen the script for the movie that became “Saturday Night Fever” when they wrote “How Deep Is Your Love” for the soundtrack. They weren’t even certain that there was a love scene in the film. They intended the song for Yvonne Elliman, but their manager Robert Stigwood insisted they record it themselves.
I Will Always Love You - Whitney Houston (1992)
Houston’s signature song was originally a No. 1 hit for the woman who composed the tune, Dolly Parton. Her version topped the Hot Country Songs chart in 1974 and again in 1982.
I Can’t Stop Loving You - Ray Charles (1962)
Back in 1958, Don Gibson wrote two songs one hot afternoon in Knoxville, Tenn. – “Oh Lonesome Me” and “I Can’t Stop Loving You.” Four years later, Charles only needed to hear the first two lines of the latter before deciding to record it for his album “Modern Sounds in Country and Western Music.”
Because You Loved Me - Celine Dion (1996)
After viewing the film “Up Close and Personal,” Diane Warren met with director Jon Avnet to talk about her vision of the song she was to compose for his movie. The next morning in her office, she recalls, “The chorus lyrically and musically wrote itself.”
Love Takes Time - Mariah Carey (1990)
Her first album was being mastered when Carey played a demo of this song for label president Don Ienner aboard a plane. Carey was told the song was a “career-maker” and despite her protests, the presses were stopped and the song was added to her debut release.
We Found Love - Rihanna feat Calvin Harris (2011)
What could be more romantic than finding love in a “hopeless place”? Rihanna scored the biggest hit of her career (and the top ‘love’ song of the 21st century) with only her fourth Hot 100 entry to feature “love” in the title, following “If It’s Lovin’ That You Want” (2005), “Hate That I Love You” (2007) and her featured role on Eminem’s “Love the Way You Lie” (2010).
Let Me Love You - Mario (2005)
Mario didn’t realize this song was going to be so huge. “I didn’t know it would touch so many people,” he says. “But it was an emotional song and those records last forever.”
Bleeding Love - Leona Lewis (2008)
Ryan Tedder and Jesse McCartney wrote the song, inspired by the latter’s long-distance romance with his girlfriend. McCartney wanted the song for himself but his label was unenthusiastic so it went to the winner of the third season of “The X Factor” in the U.K.
To Know Him Is to Love Him - The Teddy Bears (1958)
Phil Spector was inspired to write the song by a photograph of his father’s tombstone at Beth David Cemetery in New York. The inscription read: “To Know Him Was to Love Him.”
Crazy in Love - Beyoncé featuring Jay-Z (2003)
The first single from Beyoncé’s first post-Destiny’s Child album (“Dangerously in Love”) became the first No. 1 of her solo career. “I asked Jay to get on the song the night before I had to turn my album in,” Beyoncé told Billboard. “Thank God he did. It still never gets old, no matter how many times I sing it.”
Silly Love Songs - Wings (1976)
1976 was a very good year for love songs achieving pole position on the Hot 100. First there was “Love Rollercoaster” by the Ohio Players, followed by Paul Simon’s “50 Ways to Leave Your Lover,” “Love Machine” by the Miracles, “Let Your Love Flow” by the Bellamy Brothers, “Love Hangover” by Diana Ross and the longest-running “love” No. 1 of the year, Wings’ “Silly Love Songs.”
Because I Love You - Stevie B (1990)
Songwriter Warren Allen Brooks says his No. 1 hit was a “spiritual song,” even if people think he was writing about love between a man and a woman. “It’s really about me and God having a personal relationship.”
Crazy Little Thing Called Love - Queen (1980)
Freddie Mercury wrote the song while languishing in his bath at the Munich Hilton. He leapt from the tub and ran to his guitar and piano to lay down the melody. His label was reluctant to release the song in the U.S. but radio stations played the imported U.K. single anyway, forcing an American release.
Love Is Blue - Paul Mauriat (1968)
Five years after he co-wrote Peggy March’s No. 1 hit “I Will Follow Him,” Mauriat was back on top of the Hot 100 with an instrumental cover of “L’Amor Est Bleu,” Luxembourg’s entry in the 1967 Eurovision Song Contest. Vicki Leandros performed the song, which placed fourth in the annual songfest.
Roses Are Red (My Love) - Bobby Vinton (1962)
A hitless Vinton was about to be dropped by Epic, when he found this song in a reject pile and asked to be given one more chance. He recorded it as an R&B tune. “It was the worst sounding thing you ever heard in your life,” he admits. The label agreed to a second session with a new arrangement, added strings and a vocal choir and the result was a No. 1 on the Hot 100.
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